Political Media Review

The Spanish anarchist movement and revolution of the late 1930s are undoubtedly the historical force and context most praised by Western anarchists. In absolute numbers, in proportion of the overall population they were part of, and in the radical transformation they accomplished in much of Spanish society, the reputation is well deserved.

Hundreds of films take on anarchist themes in some manner, but only a handful deal with anarchist governance. Three of the most interesting of these are, Alexander the Great (Megalexandros, 1980, Greek), Viva Zapata! (1952, United States), and Rebellion in Patagonia (La Patagonia Rebelde, 1974, Argentina).

While relatively unknown today, Paul Goodman was one of the most influential thinkers of the 20th century. In books like Growing Up Absurd, published in 1960, Goodman captured the zeitgeist of his era, catapulting himself to the forefront of American intellectual life

The DIY Bandits collective are many things: a record label, a distro, a booking agency, and a bunch of cool people from many walks of life who are tired of the status quo. The Bandits do not see themselves as anarchists, as they say on their website, “DIY Bandits do not belong to the anarchist scene, punk scene, underground scene, or mainstream scene.

I picked up So Much Pretty looking to escape the world and its many disappointments. What I found instead was a story that could very well happen in my community, to my friends, to their children…a terrifying prospect. And yet, I kept reading. As the suspense mounted, as a girl went missing, as the chapters began to be numbered as police evidence, I could not turn away

There is a sub-genre of science fiction called alternative history, which consists of works such as Philip K. Dick’s The Man in the High Castle, in which Germany wins World War II, and Hitler becomes the ruler of the U.S. Works of this type offer a counterfactual version of past events

Thursday, September 22, 2011, I headed out by bike to ride up to Williamsburg, Brooklyn, where my buddy Ron and I planned to attend the book party for Stephen Duncombe and Max Tremblay’s new work, White Riot, a collection of first-person writing, lyrics, letters to zines, and analyses of punk history on issues of racial identity.